Looks shown directly in this presentation.
Cecilie Bahnsen titled her fall collection Practice, a word she used less as a prelude to mastery than as a philosophy of making. “Practice is not preparation,” she noted. “It is the work itself: repetition, passion, and the constant refining of craft.” Appropriately, the runway felt less like a stage than a rehearsal room, where dancers and models moved together in a choreographed study of clothes in motion, developed in collaboration with dancer Myrto Georgiadi’s Marseille collective, Oráma Atelier. Softness and strength, vulnerability and resilience, Bahnsen’s perennial dualities, were expressed through garments designed to move rather than pose. Clothes didn’t merely hang on the body; they followed it, skimmed it, and seemed to breathe with it. Silhouettes were notably slimmer this season: shapes that “kissed the body,” Bahnsen said, rather than simply billowing around it.