Looks shown directly in this presentation.
Unveiled as Act II of an ongoing narrative arc, Giuseppe Di Morabito’s second full-scale show, The Fall of Icarus, continued the emotional excavation that began last season. If Alone With the Stars looked outward, into the future of AI and technological acceleration, this new chapter looked inward: to craft, childhood, memory, and myth. “We’re moving too fast,” Di Morabito said, “and sometimes you need to fall to find your roots again.” The runway, illuminated by a sunlike circle engineered by artist Nick Verstand, opened on a solitary body floating at its center. The allegory was clear: Icarus, the mythic figure who flew too close to the sun, had crashed. But in Di Morabito’s version of the tale, the fall was not a tragic ending but an origin point for rebirth. The collection was dense with symbolism, structure, and a dramatic intensity rooted in southern Italian culture. Porcelain bustiers sculpted by hand and embellished with rose bouquets—one of the designer’s recurring emblems—became relics of love and permanence. “The rose has always been with my family,” he said. Pearls encrusted across jersey and lace evoked church traditions and maternal iconography. Crochet, a reference to baby blankets and bedspreads of Di Morabito’s native Calabria, was made entirely by hand, some even by his own mother.