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Huishan Zhang keeps a filmography of titles he has watched in a “notebook” in his head, ready to pluck references whenever it feels right. For fall, it was that he drew inspiration from, translated both directly—as jacquards and hand-beading evocative of the film’s cinematography and set—and indirectly as an attitude. “The costumes are literally divine,” he said at a preview. “They touched me, as a fashion designer.”