Looks shown directly in this presentation.
Huishan Zhang has been pondering the “luxury of time.” The fittings, hair and make-up tests and model castings that would typically take place ahead of London Fashion Week were replaced by intimate client appointments and events. Zhang, a permanent fixture on the schedule, decided to show via look book for spring––because this made sense for his business model. The collection was immediately available to shop the moment it went live, to avoid the usual waiting period from runway to release date, and to enable his customers to engage with his newness as soon as possible. This was especially important since he’s had more time on his hands to interact with them. A calendar reshuffle orchestrated over several seasons allowed for this shift––plus, he knew what his clientele wanted, so designing was merely a case of meeting demand and expanding their wardrobes. No last-minute tweaks or curveballs for Zhang: the clear divide between what he described as “daywear” and “evening wear”––the latter more embellished than the former––was decided months ago. Poplin dresses with visible, inside-out seam construction, lightweight denim, and crepe twin-sets for day; hand-beaded tulle and jacquard dresses for evening. A ballooning gown or cream longline coat for brides-to-be. (Truman Capote’s “swans” inspired the “elegance” and the name of the collection: