Looks shown directly in this presentation.
Now that things are—albeit cautiously—opening up again, Christophe Lemaire and Sarah-Linh Tran let themselves go with the idea of “traveling somewhere.” The destination was purely imaginary, an Impressionistic landscape painted on a 30-meter backdrop by the playwright, scenographer, and theater director Philippe Quesne. It proved a strong foil for what Lemaire described backstage as a nomadic tribe, and the show notes called “an urban horde of modern-day hunter-gatherers.” “Dressing up is a little bit like traveling,” he mused. “You get dressed up, you go to someone, or you have a destination in mind.” Hence a collection composed of thoughtfully layered pieces that neatly spliced ease, movement, and a sophisticated take on functionality. Softly tailored outerwear in the form of a tobacco trench, a coat that can be worn like a blouson or a gilet, a black overcoat with a white lapel and lining, and an elevated take on the denim jacket looked like they could walk straight off the runway and into the streets of Paris to take on a life of their own. A blouse with a red marbled print—the result of a collaboration with theartisan Frédérique Pelletier—brought a bit of psychedelia to a lineup focused on elevated effortlessness. Discreet luxury is, after all, Lemaire’s home turf.